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theater
A Rejection of Risk
It's not easy for a theater to both lead the way and be commerically viable, and the playwright is left relaying on luck and timing, according to Brett Neveu
My Kind of Tone
Chicago-grown theater is a strange little cog that has the potential to make the whole mess go kerflewie if it's not manager correctly, and Chicago theater artisits are the last ones who ever want (or need) to be managed (street theater of the '60s and '70s is a prime example).
The Ending as a Process of Beginning
Goat Island's decision to create a last performance has given rise to a series of discoveries
